They included ‘Free As A Bird’, ‘Real Love’, ‘Grow Old With Me’, and ‘Now And Then’. In January 1994 Yoko Ono gave Paul McCartney two cassettes of John Lennon’s home recordings, which included a number of incomplete and previously unreleased songs. From the revelation that Pedro’s mother worked as a maid for Alejandro’s exorbitantly wealthy family and Pedro’s resulting insecurity, to the emotional abuse that Marcos suffered from his controlling and powerful father, the characters’ stations in life serve both as an underlying cause and effect to many of their pathologies.Written by: Lennon Recorded: 1979 20, 21 March 1995 Producer: Jeff Lynneīased on a 1970s demo by John Lennon, ‘Now And Then’ was briefly considered for release on Anthology 3 but later rejected.Īlso known as ‘I Don’t Want To Lose You’ and ‘Miss You’, ‘Now And Then’ was recorded by Lennon at his home at the Dakota Building in New York City. What elevates Now and Then from its boilerplate plot twists and soap operatic backstories is the way in which it trains its focus on class. Perez imbues the character with a cool, snarky affect that masks an obsessive pursuit for justice, even hinting at a personal vendetta.
Flora is singularly driven toward solving the case, and at the cost of personal happiness. As the moral center of Now and Then, the calm yet wrathful one-woman investigator stands diametrically opposed to slicksters like Marcos and Pedro, who seem capable of doing anything if it means maintaining their station in society.
#Now and then series#
The deceased Alejandro, more than a burden of guilt shared by the five, represents this lost innocence, something that the series homes in on as characters yearn for the alternative futures that were washed away that fateful night on the beach.īut while it may be Alejandro’s ghost that haunts the psyches of the former friends, it’s Sergeant Flora Neruda (Rosie Perez) who’s actually watching their every move. Through the jumping between timelines, Now and Then conveys the characters’ loss of youthful idealism (for example, Marcos, a relapsing opioid addict, once dreamed of joining Doctors Without Borders). From Pedro and Marcos’s naïve belief that paying the ransom will close this chapter of their lives, to Ana, who, despite having an inheritance, staunchly refuses to pay, there’s the sense that these friends, who once dreamt about experiencing the world, have simply become trapped by both their current circumstances and their shared pasts. Whether they’re guilty of murder or not, it’s exhilarating to watch the lives of these cunning characters disintegrate as their sketchy pasts catch up to them. The series quickly shifts into a high stakes game of intrigue as it becomes evident that the former friends are more than ready to exploit each and do whatever it takes to preserve their place on the social ladder. Elsewhere, struggling single mom Daniela (Soledad Villamil) is, like Marcos’s college flame, Sofia (Maribel Verdú), unable to pay her part of the ransom, though their refusal to go to the police suggests that they have something to hide. Pedro (José María Yazpik), who’s started a family with Ana (Marina de Tavira) and is in the midst of a high-profile campaign to become next mayor of Miami, snaps at Marcos (Manolo Cardona) and demands that his wealthy father fix everything, just as he did 20 years ago.
#Now and then how to#
Reluctantly reunited, the characters almost immediately attempt to piece together plans for how to deal with the blackmail. Like a classic Agatha Christie mystery, the story scrolls through an archetypal profile of each of the seemingly duplicitous characters as they’re forced to reunite after receiving blackmail text messages demanding five million dollars for their involvement in Alejandro’s death. The series plays out like a sultry crime thriller, but what lies beneath its edgy, multi-perspective plot is a social drama that interweaves commentary about class and money, forces which drive its characters to make the same mistakes over and over again.Īlternating between 2000 and the present, Now and Then follows the lives of each of its main characters 20 years after the mysterious death of their friend, Alejandro (Jorge Lopez). The bilingual series Now and Then relentlessly doles out one red herring after another, forming a Rubik’s Cube of clues as to what happened on the night that a celebration by the beach turned into a deadly falling out for a group of college friends.
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